"MASQUERADA"
                           “I lived with this drama, and 
                            composed the music with thrill. It’s hardly 
                            to put into words, how it was engendered in myself…”, 
                            Khachaturian described later his feelings of work 
                            on "Masquerada".
                            In 1941, Khachaturian composed music to Lermontov’s 
                            “Masquerada”. Here the composer switched 
                            to another manner: other epoch, idea and artistic 
                            concept, style… A feeling of time, environment, 
                            essence of drama conflict and individual characteristics 
                            were very subtly reflected in this music. One of the 
                            best Russian experts of Lermontov, Irakliy Andronnikov, 
                            wrote on music of Khachaturian: “It’s 
                            difficult to imagine the music that meets the character 
                            of Lermontov’s drama much more. If I say, that 
                            it’s a music to one of Pushkin’s works, 
                            you won’t believe. This is Lermontov! It is 
                            his victorious and beautiful sorrow! The triumph of 
                            his verse, thoughts…”
                            “When starting the work”, recalled Khachaturian, 
                            “I was very troubled, and realized that in capital 
                            of Russia, I compose a music to Russian classic play 
                            after Glazunov. By the way, as far as I know, Glazunov 
                            didn’t compose a waltz to “Masquerada”, 
                            but he used Glinka’s “Waltz Fantasy” 
                            instead of it…In a one word, I recognized the 
                            degree of my responsibility. Nikolay Yakovlevich Myaskovsky 
                            helped me very much… He gave me a rare collection 
                            of music before Glinka’s epoch. Due to that, 
                            I was able to penetrate into music atmosphere of the 
                            epoch. And of course, I read very carefully Lermontov, 
                            he is very close to me…”
                            The scores of symphonic suites, re-composed by Khachaturian 
                            from music to plays, are sounding at symphonic stages 
                            till the present. 
                            Khachaturian wrote: “Applied music must be re-composed. 
                            At symphonic stage, its own rules are acting. Therefore, 
                            I am indebted to myself for my “Shakespeareiana” 
                            remained unmoved and doesn’t live out of theater 
                            and film…
                            What is undoubtedly for me, that real music of theater 
                            and film, with own specifics, must be composed in 
                            such a way, that it could also sound at symphonic 
                            stage, and it shouldn’t be musical pieces, but 
                            something the whole, united by one idea”.